台中銳豐建設的刊物採訪 - 奔馳的當代雕塑 席時斌

A contemporary Art Exhibition Across the Strait 2013

A contemporary Art  Exhibition Across the Strait 2013

交互視象 2013海峽兩岸當代藝術展

展出作品：

席時斌《模型：阿濕波》不鏽鋼、木料、漆、銅，2700x5000x2400mm，2012

席時斌《模型：外婆家的奧林帕斯》不鏽鋼、鋁合金、木料、漆，2500x7200x2400mm，2012

國立台灣美術館 2013.7/4-7/7

My Art Work with VOGUE TAIWAN

VOGUE 9月號2012
Photo: Jason Wu
Makeup: Vicky Lin
Hair:Joann(EROS)
Style:Yvonne Tsa

Art work by Hsi Shih-Pin 

在我們的馬車上製作一座星盤 個展 作者攝影

攝影：陳明聰 老師 

席時斌《黑山小水》



席時斌 《黑山小水》

鋁合金、日本金漆

240*100*50cm

2011



《資源攻擊》藝術家席時斌---國藝會東鋼駐廠創作專案

《資源攻擊》席時斌 東鋼駐廠藝術家作品發表
共同創作：莊惠琳、侯辰宗、東和鋼鐵苗栗廠

聽說一道閃電能量足以  點亮城市
天與地資源

師傅拿起焊條
引火
起弧
就是道小閃電
也是亮一顆星
人和人的資源

夜空的星星 都是誰的太陽
太陽接成銀河

一明一滅
閃光燁燁

多少銀河
折折交錯

在一道精彩閃電




The attack of resources

His Shih - Pin Artist in residency program in Tung ho steel enterprise corp. solo exhibition
Collaborate: Chuang Hui-Lin, Josh Hou, Tung ho Steel Enterprise Corp. Miaoli works

I heard that the energy from one single lightning could light up the whole city
That’s the resources from the heaven and earth.

Master holds the welding rod
To strike a fire
To make a arc
It’s a short flashing lightning
It’s a sparkling star as well
The all the resources are between person and one.


Who a sunshine is, when the stars during the night.
Solar access into the Galaxy

On and off
The flashing is grand

How many numbers of galaxies are overlapping together?
Flashing is brilliant

混血 台北、上海

席時斌《黑星-第三世界的藝術勞力》
壓克力、膠帶、矽利膠，各種尺寸，2008-2010

席時斌《紅書-第三世界的藝術勞力》
木板、紅墨、螢光燈, 尺寸隨空間調整，2004-2010

席時斌《青河-飽受汙染的藝術》
塑膠、矽利膠、漆、環氧樹酯，240x120cm 240x40cm 240x60cm,2009-2010

席時斌《硃河-飽受汙染的藝術》
漆、矽利膠、環氧樹酯，240x120cm 240x40cm 120x120cm,2010

席時斌《在此紀念殺人武器》
鐵、矽利膠、漆、圓桌，150x150x140cm,2010


人們因為信任相依，卻又因為失信相離。

子：為何病人總收到花？
父：因為花是生命幫助他們復原。
子：那為何死人也收到花？
父：因為花是愛像我們愛他。

08年，我在進行另一項目時，想到未來要作一個名稱為“混血”的展覽。09年底，在上海，決定了鳳甲美術館的個展名稱“混血 台北，上海”。若說是一種觀察方式也行，從現在這個地方看原來那個地方，而關於情感、家庭以及婚喪喜慶的片刻，我需要表達更多。

Being interdependent because of the trust; separate is due to losing a promise.

Son: Why the patients always receive the flowers?
Dad: The flowers are the life to help them to recover.
Son: But, why the deceased people also receive the flowers, too?
Dad: Because the flowers just like the love as we love him.


In 2008, I’ve been thinking to organize an exhibition called “Blood Crossed” while I practiced another project. In the end of 2009, the title“Blood Crossed Taipei, Shanghai” has been decided for the solo in the Hong-gah Museum. I prefer this idea as one way of observations to reminisce, to express the moment of emotion, family issue, matrimonial and funeral ceremony. Moreover, I have to convey my feelings.

黑油亮-第三世界的藝術勞力系列

席時斌《黑油亮-第三世界的藝術勞力系列》Mixed media,240240230cm,2010