room

cow

《走樣-愛滋長》

《watership》

Hsi Shih-Pin《Watership》mixed media_installation 750x450x500cm,2009

《birdship》

Hsi Shih-Pin 《Birdship》mixed media_installation 700x450x400cm 2008
2008/5 關渡美術館

《Treeship》 高雄市立美術館 2008

圖片提供：高雄市立美術館

《Treeship》2008

Hsi Shih-Pin《Treeship》Mixed media_installatipn,560*520*540cm, 2008

Puppet

Menorycube

《Shellship》

      Hsi Shih-bin always like to read the living things and memory. Creating the imaginative body through its structure and image. he puts mainly emphasis on structure by the techniques of composition and decomposition in his sculpture works to manifest the relationship between body and spirit . I like to operate an unanimous constitution technique repeatedly to form and then to take apart those who have been formed. The process from construction to elimination is an imitation and annotation of Craftsmanship. Body is a factory, mind is a worker, works are products of the body and creation is a succession of natural body movement.
     During the work in 2007, shih-bin shall use personal interpretation of “architectonic” vis-à-vis structural description; under “assimilation” & “dissimilation” assumptions, probe & observe correlation between present day phenomenon of sculpture & digitalization, as well as sculpture & architecture. Via the extension of present day elements, hopefully providing alternate referential value, through redefining material, structure, and space.

fish

,

birds

不在地點的小屋

我要跟你敘述一個不在某個地點的小屋。這個小屋是簡陋也是華美，它相應於片面的，拼湊的某些事物。有時一縷輕風吹過，小屋就飄離去，否則，它就用雙腳當作雙翼，停留在一半的空中。曾經在小屋中住過的都是旅人，他們就是趁著無風的時候，用搭建的木梯爬上來過夜，因為屋頂上鑲著的鋁板，是為旅人避開黑色的雨水，而不是遮住月光。當人們清晨自夢中醒來，小屋也恰巧飄到他們昨夜夢中那個記憶的地點，以至於旅人深深的感到困惑，因為月夜的飄遊，讓旅人們常忘記自己是要回家，還是去旅行。

working

Butterfly

蝴蝶 2005/木架構/150*150*150c(cm)
這部份作品是以交錯的線條與折疊形式的結構機制，作為表現蝴蝶形象的方式。蝴蝶的形象對我來說是一個交叉的線條，而它的飛行是不斷的折合張開。在這些作品中我以重覆堆砌交錯與折疊的結構方式進行創作，而一開始是幾件實驗性的小物。最後是一件木結構作品。作品呈現兩種形式，交錯的線條構成的數個平面的連接，以及平面與平面折疊變化出的空間形象。

Bird_2006/04

Puppet_2005-7

dog